Exhibitions and Events
From the Vault: The Oldest Patient
In 1974, Halifax artist and arts educator Donald Cameron Mackay donated an ancient Egyptian mummified head to the Dalhousie Art Gallery. Although it arrived without the linen wrappings typical of the mummification process, thus affording a thorough visual examination of the face, skull and neck, the contents of the head remained a mystery.

Thierry Delva - Drawings from the Heart: Reproductions
For much of his career as a sculptor, Delva has produced work that is one-to-one in scale, whether these are modified commercial refrigerators or mundane domestic objects such as Styrofoam coolers that he has precisely rendered in polished white marble. Although Drawings from the Heart: Reproductions may appear to be a departure from his object-making practice, it is consistent with his on-going interest in one-to-one renderings.
Paulette Phillips - The Directed Lie
Most of us will admit that we lie to navigate tricky social interactions, we lie to protect people we love, we lie to maintain a sense that we are trustworthy and honest, and some of us lie to get what we want. We accept that lying is "kind of okay" and yet the idea of lying goes against our moral and ethical codes of behaviour. The Directed Lie inhabits a shifting perspective -- complicit with, and critical of, the act of lying.

From the Vault
Although the Dalhousie Art Gallery recently passed its sixtieth year milestone, the start of Gallery’s collection dates back to the 1830s when Dalhousie University’s first President donated a print by John James Audubon to the school. Since 1953, the Gallery’s Acquisition Committee has actively developed, through purchase and donation, a varied permanent collection that promotes the mandate of the Gallery, engages with the evolving aesthetics of the times, and often reflects the collecting habits of the donors.
Geneviève Cadieux: Here you may see the best portrait that, later, I was able to make of him. Passages to Abstraction.
Curated by Vincent Bonin
Organized and circulated by the Musée d’art de Joliette with financial support from the Museums Assistance Program, Department of Canadian Heritage.
OPENING RECEPTIONS AND TOURS Saturday 21 March
MSVU Art Gallery at 2 PM and at the Dalhousie Art Gallery at 4 PM
The artist and curator will be present.
Art and Neuroscience + Teaching the History of Medicine using Great Art Works
TUESDAY 24 FEBRUARY to THURSDAY 5 MARCH
Lectures and artist talks begin at 7PM | FREE ADMISSION
Art and Neuroscience
Richard Brown, Department of Psychology, Institute of Neuroscience, Dalhousie University.
Teaching the History of Medicine using Great Art Works
Jock Murray, former Dean of Medicine and Professor Emeritus of Medical Humanities, Dalhousie University.
Artist talks and tour of works - with Sarah Maloney Knitted Anatomy and Lisa Nilsson Tissue Series
TUESDAY 24 FEBRUARY to THURSDAY 5 MARCH
Lectures and artist talks begin at 7PM | FREE ADMISSION
Lecture: Modern Research Imaging Techniques: A Renaissance for Optical Microscopy
TUESDAY 24 FEBRUARY to THURSDAY 5 MARCH
Lectures and artist talks begin at 7PM | FREE ADMISSION
Modern Research Imaging Techniques: A Renaissance for Optical Microscopy
William Baldridge, DGJ Campbell Professor & Head, Medical Neuroscience and Professor, Ophthalmology & Visual Sciences, Dalhousie University.
Dalhousie Anatomical Laboratories: Modern Medical Models and Teaching
Robert Sandeski, Coordinator of Anatomical Laboratories and Human Donation Program, Dalhousie University.
Lecture and tour of Anatomica with Cindy Stelmackowich
TUESDAY 24 FEBRUARY to THURSDAY 5 MARCH
Lectures and artist talks begin at 7PM | FREE ADMISSION
Black Directors for African Heritage Month
3 February - Camp de Thiaroye
Ousmane Sembene, Senegal, 1988, 157 minutes. The renowned director tells an epic story of French African Colonial troops and how they were treated during and after World War Two. (In French and Wolof with English subtitles)
10 February - Faat Kiné
Ousmane Sembene, Senegal, 2001, 117 minutes. In this modern-day urban tale of the title character, a woman rises to run a gas station in a traditionally patriarchal society that resists female aspirations. (In French and Wolof with English subtitles)