Exhibitions and Events

Sheridan Shindruk, still from Sky Ranch, 2000
Exhibition

Media Souvenir: Travel & Tourism in Contemporary Art Video

9 May – 29 June, 2008

Media Souvenir is a video exhibition that relates to questions of travel and tourism in a time when numerous people are on the move due to immigration, education, freedom from war and poverty and visits to other distinct cultures. This exhibition, sponsored by the Centre For Art Tapes, was created from a national call to distributors and individuals, resulting in a program that encompasses all of these questions. Personal journeys predominate as children of immigrants return to their parents’ culture in an attempt to come to terms with a past that challenges their expectations.

Exhibition

Ursula Johnson: The Urban Aboriginal Guide to Halifax, NS

14 March – 27 April, 2008

When looking through the catalogue for Defiant Beauty: William Hind in the Labrador Peninsula, Ursula Johnson, a Mi'kmaq artist from Eskasoni in Cape Breton, was fascinated with the depictions of the Innu guides on the Hind expedition. She empathized with them as path-finding guides who helped the Europeans to ‘discover’ the Innu’s ancestral land for their own colonizing purposes.

Hind, William George Richardson, Caribou Drinking at Night 1861-62 Watercolour and graphite on prepared paper 21.5 x 21.1 (image diameter) Purchase, 1967
Exhibition

Defiant Beauty: William Hind in the Labrador Peninsula

14 March – 27 April, 2008

In the summer of 1861, Canadian artist William Hind (1833-1889) accompanied his brother Henry on his first exploration of the interior of the Labrador Peninsula, a vast, defiant landscape of breathtaking beauty. Few Europeans had traveled into this inaccessible and near mythical land which, after more than ten thousand years, still remains the familiar home of many First Nation’s peoples.

Film

Los Angeles New Orleans New York Halifax

5 – 26 February, 2008

Two leading African American Filmmakers on the life and death of American Cities, Burnett's L.A. is a city that contains a massive and mostly hidden black sub-culture that only became visible to the outside in the Watts and Rodney King riots. Spike Lee, on the other hand, sees his hometown of New York City as a place of racial conflict and possible resolution in Do The Right Thing. His vision of New Orleans during the catastrophe of Hurricane Katrina reveals a powerful, raging point-of-view that still demands to be answered.

Film

Art History: Sir Kenneth Clarke's Civilization Series

17 January – 24 April, 2008

The landmark 13-part 1969 BBC series Civilisation by Sir Kenneth Clarke was one of the very first attempts to deliver a comprehensive examination of Western Art and Cultural History to a mass audience for television. Wildly influential, undeniably dated, occasionally infuriating and visually sumptuous -- it was shot in 35mm film-- Civilisation remains an ideal entry point and revision lesson for anyone interested in the broader points of Western Culture and Art History in particular. Episodes are 60 minutes long. 

Film

Metropolis: The City In the Cinema

16 January – 23 April, 2008

In anticipation of a major national conference on The City to be held in Halifax in April, this four-month film series looks at the long-running relationship between Cities and The Cinema.

Cover of Exhibition Catalogue
Exhibition

Marlene MacCallum: The Architectural Uncanny

11 January – 2 March, 2008

Opening Reception Thursday 10 January at 8 pm Remarks by Mark Bovey, Assistant Professor of Printmaking, NSCAD University Organized and circulated by the Sir Wilfred Grenfell College Art Gallery, Corner Brook, Newfoundland This exhibition consists of three series of photogravure prints, eight book works and one photographic body of work. Underlying all of the projects is MacCallum’s interest in the uncanny potential of domestic spaces.

Exhibition

David Morrish: Nature Morte Works from the Permanent Collection

11 January – 2 March, 2008

David Morrish has long been interested in Western culture’s representation of animals and the meaning that is constructed through the process. His narratives and photogravure print images of stuffed creatures that are seriously compromised by inept taxidermists, as well as haunting images of small, dead and dehydrated animals, invite us to look deeper into our relationship with living things. With a dark, gentle sense of humour he holds up a mirror to our cultural relationship with the natural world, one where death is always the corollary of life.

Mark Newport, Fantastic Four, 2003
Exhibition

Close to You: contemporary textiles, intimacy and popular culture

19 October – 25 November, 2007

Guest curated by Sarah Quinton (Senior Curator at the Textile Museum of Canada), this exhibition examines the use of idioms and images from popular culture in the work of contemporary textile artists from Canada and the US. Participating artists Ai Kijima, Scott Kildall, Allyson Mitchell, Mark Newport and Michèle Provost explore popular myth, comic book heroics and contemporary social and sexual mores through their material practices of knitting, appliqué, embroidery and crochet.

Film

The Shock of the New

27 September – 12 December, 2007

Art Critic and author Robert Hughes’s brillliant series The Shock Of The New is often considered the official sequel to the landmark BBC art history series Civilization, starting where Civilization left off, with the rise of Modernism in art.

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