Exhibitions and Events

Film

Jane Austen: Wit and Realism

19 January – 23 February, 2010

To accompany the exhibition Lord Dalhousie: Patron and Collector, the Gallery is featuring one of the most popular film sources of the 1990's, Jane Austen, who was a contemporary of Lord Dalhousie's.

Film versions of Austen's six major novels -- chosen to fit into feature length slots -- reveal a stratified English Society seen uniquely from a woman's point of view, with humour, wit and compassion, where manners count as much as character. 

SCREENINGS TUESDAYS AT 8PM

MacAloney Room, 4th floor, Dalhousie Arts Centre

William Douglas George 9th Earl of Dalhousie with His Dogs Bosto and Yarrow c.1816
Exhibition

Lord Dalhousie: Patron and Collector

14 January – 7 March, 2010

Opening Reception Wednesday 13 January at 8 pm

Exhibition

56th Annual SSFA Exhibition

11 – 20 December, 2009

Opening Reception Thursday 10 December at 8 pm Our annual celebration of the creativity of the students, staff, faculty and alumni of Dalhousie University and the University of King’s College, in painting, photography, mixed media, video, sculpture and crafts.

Film

Looking at Creativity

27 October – 15 December, 2009

This Fall the Gallery continues its program of films that focus on the arts in a new series of recently released feature length documentaries. From Gaudi to Glass, this series offers unique insights into several renowned cultural producers who have each pushed the boundaries in their respective fields of architecture, film, music and the visual arts.

Screenings Tuesdays at 5 pm. Admission is free. Seating is limited.

Steve Higgins, Urban #3, 2007, interior detail photo: Steve Farmer
Exhibition

Steve Higgins: All Things Considered: thoughts about cities and history, war and peace

23 October – 29 November, 2009

Over the past 30 years, Steve Higgins, a Halifax resident for the last decade, has worked at the intersection of sculpture, architecture and the urban environment. This exhibition presents four aspects of the artist’s body of work, each highlighting a different mode of enquiry. In his current body of work, titled Urban, the viewer is invited to peer into four table-sized constructions which house miniature models of imagined cities as seen through Higgins’ lens of history and life in the modern age.

Sara Graham, Department of Systems Oversight 1968-1973 installation detail, photo: Anuta Skrypnychenko
Exhibition

Sara Graham: Department of Systems Oversight 1968-1973

23 October – 29 November, 2009

OPENING RECEPTION: 22 October, 8 PM

Exhibition

Caustic Assets

23 October – 29 November, 2009

OPENING RECEPTION: 22 October, 8 PM

This program presents video works, selected from an open call to Canadian artists, that examine the effects on society of the current economic crisis, threatened job security and the continuation of a capitalist ideology that does not guarantee freedom from want and violence. The videos will be screened in the Media Gallery as a looped, continuous program.

Film

A View on Wenders

17 – 25 September, 2009

One of this year’s Co-Production Conference countries at the Atlantic Film Festival is Germany, and no German filmmaker has a more international outlook than Wim Wenders.

Ron Shuebrook, Dark Spring, 2008, acrylic on canvas. 96" x 144"
Exhibition

Black and White with Storylines

28 August – 11 October, 2009

Opening Reception Thursday 27 August at 8 pm In the Spring of 2009, the Dalhousie Art Gallery invited Ron Shuebrook, a senior Canadian painter based in Guelph, Ontario, to exhibit an overview of his current work. In concert with this, Shuebrook was asked to suggest the name of a younger artist – for whom he played a mentoring role and with whom he now has a relationship based on mutual peer respect – that he would like to share the exhibition space with.

Event

Coloured Plates

11 June, 2009

Sculpture Court, Dalhousie Arts Centre, free admission

As part of the exhibition RESOUNDING, Montréal-based artist Daniel Olson will perform Coloured Plates in which a large collection of metal plates, taken from toy xylophones over the past fifteen or more years, are thrown one by one onto the hard surfaced floor. As they fall, each plays its note to produce a random melody. 

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