Exhibitions and Events
The Very Thing
How do we experience the "thingness" of sculpture, or discuss its"object-ness" in a postmodern critical climate? Co-curators Robin Metcalfe and Susan Gibson Garvey selected some elegant and provocative works by six contemporary Canadian sculptors whose practices may be described as "object-based" and whose works often revisit sculptural issues from the earlier 20th century - but with a contemporary twist. Quirky, mysterious, solemn, or amusing, these sculptures are experienced first as physical phenomena (as formal and sensuous objects) before specific contents may be ascribed to them.
Masters of Modern Sculpture
The following films from the acclaimed series Masters of Modern Sculpture (Blackwood Films) will be available on video for individual viewer access at a special viewing station set up in our Reading Room. Each film lasts approximately one hour.
Part One: The Pioneers
Presenting Rodin, Degas, Rosso, Maillol, Lehmbruck, Brancusi, Epstein, Laurens and others demonstrates how, in just over two decades, the first modern sculptors undermined centuries of sculptural conventions.
Part Two: Beyond Cubism
The 46th Annual Student, Staff, Faculty and Alumni Exhibition
Our annual celebration of the creativity of students, staff, faculty and alumni of Dalhousie, Daltech, and King's College, in painting, graphic art, photography, mixed media, sculpture and crafts. We welcome your artwork for this exhibition, which makes no distinction between amateurs and professionals. Entries will be accepted during Gallery hours, from 15 November to 28 November. Pick up your entry form after mid-October at the Gallery's front desk.
Four Films with a Marxist Edge
In conjunction with the University of King's College's Contemporary Studies series on Marxism, we present four films that give a glimpse of the range and international scope of Marxism this century. While the first two films bear the mark of official government policy, Umberto D and The Three Penny Opera show Marxism's influence on social attitudes and aesthetics in working Western democracies.
17 November - Enthusiasm!
Dziga Vertov, USSR (Russia), 1931, 79 minutes
Photography, Film and Cultural Representation
This film series has been prompted by issues arising from the exhibition From the Background to the Foreground: the Photo Backdrop and Cultural Expression.
20 October - Notman's World
Albert Kish/NFB 1989, 29 minutes
and
Fixed in Time
Shelagn MacKenzie/NFB 1980, 20 minutes
From the Background to the Foreground: the Photo Backdrop and Cultural Expression
This vast exhibition has been curated by James Wyman for the Visual Studies Workshop and is co-presented by the Dalhousie and Mount Saint Vincent University Art Galleries. It incorporates hand-painted backdrops, photographs and props related to commercial portrait photography in Africa, China and India, with additional material focused on Black and First Nations communities in the US, Guatemala and Mexico. Besides generating discussion around photographic portraiture, the project explores relationships among the fields of art, photography, ethnography and vernacular representations.
French Filmmakers at Five/ Les cinéastes francophones à 17h
Our annual collaboration with the Atlantic Film and Video Festival: Our film curator Ronald Foley MacDonald has selected nine films which demonstrate the formal and technical range of works by French cinematographers in Canada. All films will be screened at five o'clock in the Gallery. Notre collaboration avec le Festival du film et vidéo de l'Atlantique: notre cinémathécaire, Ronald Foley MacDonald, a choisi neuf films qui illustrent l'évantail formel et technique des œuvres des cinéastes francophones du Canada. Tous les films sont présentés à 17h à la galerie.
Acadia Acadia
This film series by and about Acadians has been selected to complement the exhibition "There are no limits": The Work of Herménégilde Chaisson.
15 September - Fishermen of Pubnico/ Les pêcheurs de Pubnico
Léonard Forest, NFB, 1956, 10 min, b & w, English version
A portrait of a sword-fishing village in south-west Nova Scotia, this is one of the first films made about Acadians by an Acadian.
Les Gossipeuses/The Gossips
Phil Comeau, NFB, 1978, 58 min. French with English subtitles
There are no Limits: The work of Herménégilde Chiasson
"Chaisson lives, works and positions himself within a philosophic and literary history that reaches between Appollinaire and Le refus globale, between early Michael Snow and late Jimmy Durham, between the uncertainties of Marcel Proust's construction and the uncertainties of Jacques Derrida's deconstruction. He inhabits a terrain where exploration of "narrative" links film with photography with installation works with pulling prints.
A Century of Canadian Drawing Selected from the Permanent Collection
Opening: Thursday, 24 June at 8:00pm