Events
Panel Discussion: Realism: Future Directions
In conjunction with Capture 2014: Nova Scotian Realism
Curated by Tom Smart and Peter Dykhuis
The 28 artists selected for the exhibition Capture 2014: Nova Scotian Realism employ a wide range of production strategies in the “capturing” of representational images in paint mediums, watercolour and pastel that can be categorized as realistic. Multiple image sources, framing devices, figure/ground relationships and levels of painterly craft are evident in this exhibition.
Film Series: Black Film Artists with Nova Scotian Roots
SCREENINGS TUESDAYS AT 8 PM FREE ADMISSION
Two film artists with African heritage—and a connection to Nova Scotia—will have their works shown at the Dalhousie Art Gallery for African Heritage Month. The first, the late actor Godfrey Cambridge, is featured in two landmark Hollywood Studio Films from 1970: Melvin Van Peebles’ The Watermelon Man and Ossie Davis’ Cotton Comes To Harlem, both, of course, directed by pioneer Black Directors. Cambridge, born in New York City, was sent to live with his grandparents in Sydney, Nova Scotia until he was 13.
Realism in Film
To complement and counterpoint the themes of Realism and social engagement in the Gallery’s winter exhibitions, Capture: Nova Scotian Realismand Beat Nation: Art, Hip Hop and Aboriginal Culture, the Dalhousie Art Gallery is proud to present a film program surveying Realism in Film from 1930-2013.
Arts Documentaries
Catching up on some Arts Documentaries that have not yet played in the area, the Dalhousie Art Gallery is pleased to present some major non-fiction films on various issues on the arts including the art of collecting, modern design, sound recording, free expression and politics in China, and a screening of local filmmaker Alan Collins’ film on the artist Wayne Boucher, which features a special appearance by a certain Dalhousie Art Gallery personality.
Wes At Five
Wes at Five
Atlantic Film Festival/Dalhousie Art Gallery Annual Collaboration

